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Henry, Tom (2006) Raphael, Cellini, and a Renaissance Banker. The Patronage of Bindo Altoviti
 Raphael and the Beautiful Banker. The Story of the Bindo Altoviti Portrait
 Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Journal of the History of Collections, 18. 89-90 doi:10.1093/jhc/fhl004

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Reference TypeJournal (article/letter/editorial)
TitleRaphael, Cellini, and a Renaissance Banker. The Patronage of Bindo Altoviti
 Raphael and the Beautiful Banker. The Story of the Bindo Altoviti Portrait
 Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle
JournalJournal of the History of Collections
AuthorsHenry, TomAuthor
Year2006 (June 1)Volume18
PublisherOxford University Press (OUP)
DOIdoi:10.1093/jhc/fhl004Search in ResearchGate
Generate Citation Formats
Mindat Ref. ID9177572Long-form Identifiermindat:1:5:9177572:6
GUID0
Full ReferenceHenry, Tom (2006) Raphael, Cellini, and a Renaissance Banker. The Patronage of Bindo Altoviti
 Raphael and the Beautiful Banker. The Story of the Bindo Altoviti Portrait
 Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Journal of the History of Collections, 18. 89-90 doi:10.1093/jhc/fhl004
Plain TextHenry, Tom (2006) Raphael, Cellini, and a Renaissance Banker. The Patronage of Bindo Altoviti
 Raphael and the Beautiful Banker. The Story of the Bindo Altoviti Portrait
 Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle. Journal of the History of Collections, 18. 89-90 doi:10.1093/jhc/fhl004
In(n.d.) Journal of the History of Collections Vol. 18. Oxford University Press (OUP)

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Evans, Mark (2022) Raphael: The Power of Renaissance Images: The Dresden tapestries and their impactApostles in Prussia: The Raphael tapestries of the Bode-MuseumThe Raphael Cartoons. Journal of the History of Collections, 34 (1) 207-210 doi:10.1093/jhc/fhab038
Matthews, R. (2009) Collectors and why they collect: Isabella Stewart Gardner and her museum of art. Journal of the History of Collections, 21. 183-189 doi:10.1093/jhc/fhp019
Graham, J. (2006) Victorian and Edwardian Responses to the Italian Renaissance. Journal of the History of Collections, 18. 294-295 doi:10.1093/jhc/fhl024
Retford, K. (2006) History's Beauties: Women and the National Portrait Gallery, 1856-1900. Journal of the History of Collections, 18. 295-296 doi:10.1093/jhc/fhl015
Anderson, J. (1991) Renaissance Portraits, European Portrait-Painting in the 14th, 15th and 16th Centuries. Journal of the History of Collections, 3. 104-105 doi:10.1093/jhc/3.1.104
Watkin, D. (2008) Portrait of a Patron. The Patronage and Collecting of James Brydges, 1st Duke of Chandos (1674-1744). Journal of the History of Collections, 20. 149-150 doi:10.1093/jhc/fhm043
A.F.T., (1993) Transit Circle. The Story of William Simms (1793 1860). Journal of the History of Collections, 5. 249 doi:10.1093/jhc/5.2.249
Collier, Carly (2023) Collecting Raphael in reproduction in the nineteenth century. Journal of the History of Collections, 35 (3) 525-536 doi:10.1093/jhc/fhac029
BASSANI, E. (1998) RAPHAEL AT THE TROPICS? A carved ivory oliphant in the Musee de l'Homme. Journal of the History of Collections, 10. 1-8 doi:10.1093/jhc/10.1.1
Stenhouse, W. (2014) Roman antiquities and the emergence of Renaissance civic collections. Journal of the History of Collections, 26. 131-144 doi:10.1093/jhc/fht033
BROOKS, A. (1998) RICHARDS SYMONDS AND THE PALAZZO FARNESE, 1640 50. Journal of the History of Collections, 10. 139-157 doi:10.1093/jhc/10.2.139
 
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